Learning Cinematography: 2 Working on Set

Learn the art and craft of cinematography from ASC cinematographer and professor Bill Dill. Part 2 covers blocking actors, lighting sets, rehearsing, and shooting on a film set.

Introduction

• Welcome
• Three roles of the cinematographer
• Narrative vs. documentary
• The script and glossary
• Final scene: We Need to Talk

1. Pre-Production Planning

• Proper personnel
• Don't start with the camera
• Work with the director
• Storyboards
• Camera and lighting setups
• Create the shot list

2. Understand the Flow On Set

• Overview
• Block, light, rehearse, and shoot
• Prioritize the day
• Work with the first assistant director
• Manage the work on set
• Work with the production designer
• Plan the lighting

3. Block It

• Practical lighting
• Block the actors

4. Set It Up and Light It

• The right lighting for this story
• Principles of camera setup
• Work with the lighting crew and equipment
• Grip equipment
• Work with the camera crew and movement

5. Rehearse It and Shoot It

• Work with the actors
• Work with the script supervisor
• Orient the audience
• Leave room for the editor
• Establish a pattern
• Change the pattern for a reason

6. Thoughts on Post-Production

• Media management concepts
• Delivery schedule issues
• Security of the footage
• The chain of custody

Conclusion

• Goodbye
• Final scene: We Need to Talk