The Great Gatsby - Experimental Counter-Realism and Animated Objects

Explore F. Scott Fitzgerald's experimental counter-realism in this 49-minute lecture from Yale University's "Hemingway, Fitzgerald, Faulkner" course. Delve into Professor Wai Chee Dimock's analysis of Fitzgerald's unique approach to animating inanimate objects, giving human qualities to lawns, ashes, juicers, telephones, and automobiles. Examine the concept of "vagueness" as described by Fitzgerald's editor Maxwell Perkins, and investigate how this technique contributes to the novel's experimental nature. Consider the interplay between humans and machines, particularly focusing on the roles of telephones and automobiles in the narrative. Conclude with a brief exploration of racial themes in The Great Gatsby, encouraging a closer examination of instances of racial differentiation throughout the text.

- Chapter 1. Maxwell Perkins and the "Vagueness" of Gatsby
.
- Chapter 2. The Experimentalism of The Great Gatsby
.
- Chapter 3. Counter-Realism in  The Great Gatsby
.
- Chapter 4. The Animation of the Inanimate
.
- Chapter 5. The Human and the Machine
.
- Chapter 6. The Telephone
.
- Chapter 7. The Automobile
.
- Chapter 8. Race and the Automobile
.
- Chapter 9. Death and the Automobile
.