Time-Lapse Video: Shooting with the Camera in Motion
Offered By: LinkedIn Learning
Course Description
Overview
Take your time-lapse projects to the next level by moving the camera as you shoot.
Syllabus
Introduction
- Welcome
- What you should know before watching this course
- The benefits of motion
- The challenges of motion
- Designing the shot
- Determining available light
- Cloud-coverage concerns
- Shooting duration
- Obtaining a permit
- Camera body
- Tripod
- Intervalometer selections
- Memory card selection
- Battery and power requirements
- Modifying the camera to reduce flicker
- Panning the head
- Skate wheel
- Slider (no power)
- Flow-Mow for the GoPro
- Adding motion in post
- Designing the shot
- Creating a panning time lapse on a budget
- Creating a sliding time lapse on a budget
- Designing the shot
- Building the slider
- Three-axis motion
- Creating a sliding "shoot-move-shoot" time-lapse
- Designing the shot
- Hyperlapse: Low tech
- Hyperlapse: Medium tech (measuring and marking)
- Developing the hyperlapse
- Processing the hyperlapse
- Stabilizing the hyperlapse
- Hyperlapse: Planes, trains, and automobiles
- Lessons learned
- Moving to post-production
- Dirty lenses
- Reflections
- Organizing footage
- Adjusting the raw files with Camera Raw
- Sharpening and noise reduction in Camera Raw
- Adjusting the raw files with LRTimelapse ramping
- Developing the time lapse with Camera Raw
- Using lens profiles
- Using Upright
- Post moves
- Using the camera track to add text
- Flicker reduction
- Goodbye
Taught by
Keith Kiska and Richard Harrington
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