YoVDO

Raw & Log Video Production Workflows

Offered By: LinkedIn Learning

Tags

Video Production Courses Video Editing Courses DaVinci Resolve Courses Post-Production Courses Color Grading Courses

Course Description

Overview

Learn how to shoot log or raw video to take advantage of adjustment options in post-production. Find out how to work with these files in Premiere, Final Cut, and DaVinci Resolve.

Syllabus

Introduction
  • Meet your instructors
  • What you should know before watching this course
  • Using the exercise files
1. An Evolution in Acquisition
  • Log and raw vs. regular video
  • What is log recording?
  • Understanding different flavors of log
  • Beware of fake log
  • What is raw video recording?
  • Can I record video in both log and raw?
2. Related Terms to Understand
  • What is a lookup table (LUT)?
  • What is bit depth?
  • What is dynamic range?
  • What impact does compression have on recording?
3. Key Recording Options for Acquisition of Raw and Log
  • Recording video in-camera or with an external recorder
  • Choosing the correct media type for recording
  • Recording with a reference chart and slate information
4. Monitoring Log
  • Applying a preview LUT in camera
  • Applying a LUT in monitor
  • Applying an Input LUT in your NLE
  • The role of a DIT on a professional set
5. Typical Camera Workflows
  • Sony recording workflow
  • Canon recording workflow
  • Blackmagic recording workflow
  • Panasonic workflow
6. Getting Ready for Post
  • Working native or transcoded
  • Storage requirements
  • Lookup table workflows
  • Raw development strategies
7. Adobe Premiere Pro CC and After Effects CC Workflows
  • Ingesting raw and log material in Premiere Pro
  • Creating proxy files in Premiere Pro
  • Applying and adjusting Input LUTs in Premiere Pro
  • Adjusting source settings on raw files
  • An overview of adjusting color and exposure in Premiere Pro
  • Moving raw and log material to After Effects
  • Applying a LUT in After Effects
8. Final Cut Pro X Workflow
  • Ingesting raw and log material in Final Cut Pro X
  • Creating proxy files in Final Cut Pro X
  • Applying and adjusting input LUTs in Final Cut Pro X
  • An overview of adjusting color and exposure in Final Cut Pro X
9. DaVinci Resolve Workflow
  • Ingesting footage and using Resolve Color Management
  • Creating optimized media files in Resolve
  • Applying and adjusting LUTs in Resolve
  • An overview of adjusting color and exposure in Resolve
10. Managing and Manipulating Lookup Tables
  • Importing and exporting a LUT in Premiere Pro
  • Importing and exporting a LUT in Final Cut Pro X
  • Importing and exporting a LUT in Resolve
  • Manipulating LUTs with Lattice
Conclusion
  • Next steps

Taught by

Richard Harrington and Robbie Carman

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