Raw & Log Video Production Workflows
Offered By: LinkedIn Learning
Course Description
Overview
Learn how to shoot log or raw video to take advantage of adjustment options in post-production. Find out how to work with these files in Premiere, Final Cut, and DaVinci Resolve.
Syllabus
Introduction
- Meet your instructors
- What you should know before watching this course
- Using the exercise files
- Log and raw vs. regular video
- What is log recording?
- Understanding different flavors of log
- Beware of fake log
- What is raw video recording?
- Can I record video in both log and raw?
- What is a lookup table (LUT)?
- What is bit depth?
- What is dynamic range?
- What impact does compression have on recording?
- Recording video in-camera or with an external recorder
- Choosing the correct media type for recording
- Recording with a reference chart and slate information
- Applying a preview LUT in camera
- Applying a LUT in monitor
- Applying an Input LUT in your NLE
- The role of a DIT on a professional set
- Sony recording workflow
- Canon recording workflow
- Blackmagic recording workflow
- Panasonic workflow
- Working native or transcoded
- Storage requirements
- Lookup table workflows
- Raw development strategies
- Ingesting raw and log material in Premiere Pro
- Creating proxy files in Premiere Pro
- Applying and adjusting Input LUTs in Premiere Pro
- Adjusting source settings on raw files
- An overview of adjusting color and exposure in Premiere Pro
- Moving raw and log material to After Effects
- Applying a LUT in After Effects
- Ingesting raw and log material in Final Cut Pro X
- Creating proxy files in Final Cut Pro X
- Applying and adjusting input LUTs in Final Cut Pro X
- An overview of adjusting color and exposure in Final Cut Pro X
- Ingesting footage and using Resolve Color Management
- Creating optimized media files in Resolve
- Applying and adjusting LUTs in Resolve
- An overview of adjusting color and exposure in Resolve
- Importing and exporting a LUT in Premiere Pro
- Importing and exporting a LUT in Final Cut Pro X
- Importing and exporting a LUT in Resolve
- Manipulating LUTs with Lattice
- Next steps
Taught by
Richard Harrington and Robbie Carman
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