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Photoshop: Channels and Masks

Offered By: LinkedIn Learning

Tags

Adobe Photoshop Courses Image Manipulation Courses Image Editing Courses Color Correction Courses Channels Courses Compositing Courses

Course Description

Overview

Learn how to leverage masks and channels to refine selected areas of an image. This course covers using color and focus commands, extracting masks, composting, and more.

Syllabus

Introduction
  • Welcome to Channels and Masks
  • Loading Deke's custom dekeKeys shortcuts
  • Adjusting the RGB and CMYK color settings
  • Setting up a pro-level workspace
  • Thumbnails and transparency
1. How Channels Work
  • It all starts with a channel
  • Introducing the Channels panel
  • How color channels work
  • Viewing channels in color
  • How RGB works
  • Single-channel grayscale
  • Drafting a mask with Black & White
  • The other 3-channel mode: Lab
  • The final color mode: CMYK
  • How CMYK works
  • Mask in RGB, copy to CMYK
2. How Masks Work
  • The alpha channel is home to the mask
  • The origin of the alpha channel
  • How masks work
  • Saving a selection as a layer mask
  • Creating an alpha channel
  • The Save Selection as Channel icon
  • Loading a selection from a channel
  • Loading a selection from a layer
  • Loading a selection from a different image
  • Sweetening the final composition
3. The Color Range Command
  • The best selection tools are commands
  • A brief Magic Wand refresher
  • Introducing the Color Range command
  • Working in the Color Range dialog box
  • Localized color clusters
  • Selecting complex organic details
  • Using Color Range to augment a mask
  • Finessing and feathering a layer mask
  • Creating a zoom effect with Pinch
  • Isolating Color Range inside a marquee
  • Inverting everything with type
  • Increasing the legibility of type
4. Select > Subject
  • Just choose a command and let it run
  • Introducing Select > Subject
  • Select > Subject vs. Color Range
  • Combining selections
  • Softening edges with the Blur tool
  • Smoothing edges with the Smudge tool
  • Adding depth of field to a background
5. The Focus Area Command
  • The Hail Mary of automated selections
  • Edges vs. noise
  • A brief Quick Selection refresher
  • Expanding a selection with Select > Similar
  • Introducing the Focus Area command
  • Using the Focus Area brush
  • Focus Area vs. Select > Subject
  • Bringing in some better hair
  • Viewing mask and image at the same time
  • Non-destructive feather and density
  • Masking a gradient layer
6. Refining Selections and Masks
  • The joy of automated refinement
  • Introducing Select and Mask
  • Applying global refinements
  • Edge Detection: Radius and Smart Radius
  • Painting with the Refine Edge brush
  • Decontaminating colors
  • Selecting before you refine
  • The legacy Refine Edge command
  • Further refining with Refine Mask
  • Matching the lighting of your scene
7. Extracting Masks from Channels
  • Mastering channel operations
  • Introducing the Calculations command
  • Previewing channels with Calculations
  • Blending two channels together
  • Increasing the contrast of a channel
  • Filling in regions with the Brush tool
  • Using the Add and Subtract modes
  • The Black and White Point eyedroppers
  • Soft Light, Overlay, and Hard Mix
  • Painting with the Overlay mode
  • Combining alpha channels to make a mask
8. Compositing: Putting It All Together
  • The power of compositing
  • Smooth edges and color fringing
  • Assigning a shortcut to Refine Edge
  • Correcting wispy edges with Refine Mask
  • Bolstering hair or fur with a blended layer
  • Combining your refined layer masks
  • Dressing up a bad background
  • Masking a background image
  • From alpha channel to filter mask
  • Darkening a sky with Gradient Overlay
  • Creating a synthetic snow effect
  • Enhancing your snowflakes
  • Adding a snowflake bokeh on the lens
Conclusion
  • Wrapping it all up

Taught by

Deke McClelland

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