YoVDO

Live Sound Engineering Techniques: On Tour with Rush

Offered By: LinkedIn Learning

Tags

Audio Engineering Courses

Course Description

Overview

Follow a top-tier live sound engineer around the setup for a Rush concert in a 12,000-seat arena show in Denver, Colorado.

Syllabus

Introduction
  • Welcome
1. Setting Up the Sound System
  • Starting the day with the big picture
  • Choosing the right PA for the venue
  • Unloading the trucks and load-in
  • Audio rigging: Points
  • Audio rigging: Motors and cables
  • Audio rigging: Trusses
  • Amplifier racks
  • The best combination of analog and digital signal paths
  • Audio rigging: Feeder and power
  • Flying the PA speaker arrays
  • Discussing the advantages of subwoofers and front-fill speakers
  • Where's the best place to sit at the venue?
2. The Onstage Monitor Mix
  • Monitor world: Setting up at the monitor engineer's position
  • Preparing the wireless in-ear monitors for the band
  • Scanning frequencies and configuring the RF antenna for wireless in-ear monitors
  • Real-world example: Getting a basic monitor mix for different band members
  • Line check overview: Making sure every line sounds as expected
  • Sound check from the monitor position
  • Monitor mix snapshots for the live performance
  • Communicating with Geddy, Alex, and Neil during the show
3. The Clockwork Angels Stage Tour
  • Guitar world: Getting the Alex Lifeson guitar sound
  • Guitar world: Alex Lifeson's guitars
  • Triggering offstage samples with MIDI pedals
  • Alex Lifeson's stage position
  • Placing microphones on Neil Peart's drums and the rotating riser
  • Geddy Lee's stage position: Vocals, bass, and keyboards
  • Bass world: Getting Geddy Lee's bass sound
  • Using audience microphones to connect the band to their fans
  • Getting a great isolated sound from the string section
4. Front-of-House Sound
  • Turning on the PA for the first time
  • Mixing live sound for front of house
  • Achieving even sound coverage in a large arena and adjusting for pockets of frequency buildup
  • Sound pressure level (SPL), loudness, and ear fatigue
5. When the Band Hits the Stage
  • What does the monitor engineer do during the show?
6. Load-out
  • Loading out of the venue
  • Conclusion

Taught by

Brent Carpenter

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