YoVDO

Learning Reason 10

Offered By: LinkedIn Learning

Tags

Reason Courses Music Production Courses Audio Editing Courses Mixing Courses Mastering Courses Audio Recording Courses Virtual Instruments Courses Sequencing Courses

Course Description

Overview

Learn how to use Reason 12 for music production, synthesis, sampling, and more with Nate Mars.

Syllabus

Introduction
  • Bring your music to life in Reason
  • What you should know
1. Starting a New Reason Project
  • Overview of the interface
  • Configuring preferences in Reason
  • Using Reason's library and browser
  • Tips for finding sounds and patches
  • Using the sequencer and transport
  • Understanding the mixer and mix window
2. Signal Flow, Routing, and File Types in Reason
  • Working with audio files in Reason
  • Working with MIDI in Reason
  • Understanding control voltage and patching
  • The power of REX files
3. Working with Reason Instruments
  • Drum machines and beat tools: Redrum, Kong
  • Drum machines and beat tools: Rytmik, Klang
  • Synthesizers: Subtractor, Malström
  • Synthesizers: Thor, Europa
  • Synthesizers: Humana, Pangea
  • Samplers: NN19 sampler, NNXT advanced sampler, Dr. Octo Rex, and Mimic
  • Other unique Reason instruments
4. Using Effects and Other Tools in Reason
  • Exploring Reason's powerful audio effects
  • Working with MIDI effects and player devices
  • How to use third-party plugins
5. Creating Your Own Combinator Instrument
  • Creative possibilities with Combinator
  • Working with multiple devices
  • Mapping parameters in Combinator
6. Arrangement and Workflow
  • Recording into the sequencer
  • Editing basics with Reason: Audio and MIDI
  • Adding automation and mapping parameters
7. Reason as a Plugin in Another DAW and on the Go
  • Workflow with the Reason Rack in Ableton, Logic Pro, ProTools, and more
  • Reason compact for iOS
8. Mixing Your Song in Reason
  • Using Channel EQ and effects
  • Working with the master bus
  • Exporting your project
Conclusion
  • Next steps

Taught by

Matt Piper

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