Final Cut Pro X Weekly

Get a new Final Cut Pro X technique to help you take full advantage of the array of features offered in this video editing software.

1. Weekly Tips

• Why the Range tool should be your favorite and why to use it more
• It’s all about the color board
• 5 things you should know about Motion 5
• The ultimate short guide to mastering speed effects
• 3 things you should use Compressor for right now
• 5 keyboard shortcuts you should know in FCPX
• Uploading videos to the web
• Setting up workspaces
• AE workflows
• Cool things about the Info panel
• 5 tricks for dealing with the inventible stills montage
• Animation in a hurry: Have no fear, custom text is here
• The least you need to know about After Effects
• Video roles in FCP X
• Three Timeline tricks
• Split edits to elevate your storytelling
• Color Finale for traditional color correction
• Tricks for managing titles
• Perfect slow-mo with HFR
• The power of generators
• Portable proxies
• LUTs and you
• Free Apple sound libraries
• Getting more from the Ken Burns moves
• Storyboards
• Three things about 3D text
• Playhead and skimmer management
• 360VR in Final Cut Pro, part 1
• 360VR in Final Cut Pro, part 2
• Keyframing best secret: Solo animation
• 3D text in Motion
• Smart collections
• Transitions
• Frame.io
• RED workflow
• Timelapses, part 1
• Timelapses, part 2
• Setting up a stronger Color Workspace
• Shortcuts for faster color correction in FCPX 10.4
• The Power of Overshoot
• Better LUT Workflows
• Eyedroppers in Curves
• Clip Filtering in the Browser
• Animation Headache Avoided
• SpeedScriber
• A Solution for Charts
• Speeding Up Basic Transforms
• Common Transform Libraries
• Viewing Smarter in the Browser
• TImeline Display Options
• 10 keys we wished more FCP X editors used: Part 1
• 10 keys we wished more FCP X editors used: Part 2
• 3 things to know for working with 360 in FCP X
• 360° Patch
• Finishing the job: Archiving best practices
• Using auditions with color correction
• Using a color chart
• Using Motion color looks in FCP X
• Using the Finder for easy organization
• Flow transition: Hiding jump cuts
• Using Palette Gear with FCP X
• The ultimate reframe: 360 in everyday projects
• Snapshots: Better than duplicates
• Closed captions
• Which ProRes is right for you?
• FCP X in the real world: A sit-down with Kelsey Wilson from the Toronto Star
• Dual displays: Maximize your layouts
• Creating custom clip names in FCP X
• Creating a channel blur in Motion for FCP X
• Tweaking flesh tones
• Text design tips for video editors
• Saving useful effect presets in FCP X
• Audio compression
• Creating great lens flares with mFlare 2
• Voice EQ: Making everyone sound better
• Smarter effects workflows
• The edits not taken
• MacBook Pro: 2014 vs. 2018
• Using cameras and formats
• OS X Finder search secret
• USB-C, T3, and you
• Nodes 2: Incredible motion graphics right inside of FCPX
• Three things to know about taking the dive into FCPX
• CommandPost
• Three great OS X utilities
• Build a custom Final Cut Pro custom template in five steps
• Three hidden compressor tweaks
• Make safe OS X media copies
• Don't hit the panic button: Troubleshooting Final Cut Pro X problems, part 1
• Working with 4K in HD production
• Workflow extensions with Shutterstock
• Don't detach the audio
• Four tips for keying the green out of your screen
• Upgrading safer
• Understanding disk speed
• Beyond Ken Burns: Working with photo cutouts in Apple Motion, part 1
• Automatic color
• Color matching
• External GPUs
• Beyond Ken Burns: Working with photo cutouts in Apple Motion, part 2
• Pair kerning: The secret to professional-looking titles
• Pro Res raw
• Incompatible media for future OS updates
• The future isn't just horizontal
• Audio limiter
• Easing animations
• Three free effects
• Making keyword collections work for you
• Square video
• Video noise reduction
• Hard limiter
• Exploring 3D type options and reflections
• Preparing titles for vertical and square formats
• Odd-sized assets and Spatial Conform
• Stencil and Silhouette
• Working with 180-degree video in Final Cut Pro X
• Two workflow tips for 5.7K footage
• Faking room tone
• Free still and video content sites
• FCPX system performance
• Proxy files for collaborative workflows
• EditReady