Writing Popular Fiction
Offered By: BBC Maestro
Course Description
Overview
Join Lee on a creative journey as he shows you how to turn your blank page into a complete story.
- Craft a thrilling plot
- Switch narrator perspective
- Build complex characters
- Find your niche
- Write natural dialogue
- How you can make a living as a writer
Syllabus
- Writing Popular Fiction Introduction
- Where story comes from and what it's for
- If you want to be a writer, you have to be a reader first
- Why I love series fiction
- How I wrote my first book (part one)
- How I wrote my first book (part two)
- Book 2 and beyond
- How to not make your reader seasick
- Voice is not a metaphor
- Big words and big themes
- Plot is a rental car
- Robin Hood and the writers' room
- Character is king
- Ditch the bad advice
- Don't fall in love with your hero
- Why Hook Hobie is like my grandfather
- Reacher, and why he isn't boring
- To plot or not to plot (part one)
- To plot or not to plot (part two)
- Research is a dish best served cold
- Churning, smoothing and combing
- Don't forget you're still a reader
- The Killing Floor edit
- The book is the thing
- Why a Ford is better than a Rolls Royce
- Ditch the airs and graces
- How not to write dialogue
- A prose that trips forward
- Suspense is not like baking a cake
- Write the slow stuff fast and the fast stuff slow
- Hitching a ride on a strong first sentence
- The Sun Also Rises: writing time and place
- The sense of an ending
- The back end of a big machine
- Conclusion
Taught by
Lee Child
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