Classical Works

Offered By: Harvard University via edX

Course Description

Overview

Take an aural journey through 17th- to 20th-century Europe—exploring world-renowned works in classical, orchestral, and operatic music to create a cultural and social context for each performance’s circumstances.

You’ll begin your tour 1607, Matua, Italy for Claudio Monteverdi’s L ‘Orfeo—long regarded as one of the first and most important examples of opera. You will also focus on Monteverdi's life and work as a Renaissance court musician.

Travel into the 18th century for German composer George Frederic Handel’s Messiah, premiering in Dublin in April 1742. Popular during the Baroque era, Handel gained popularity for his oratorios and unique operatic techniques. Next up, take a trek east to Vienna for Ludwig van Beethoven’s 9th Symphony, with its famous choral finale changing our views of orchestral music forever.

One last train ride brings you to the City of Lights, for the Paris premiere of Hector Berlioz’s five-movement symphony, Symphonie Fantastique, before capping off your journey in 1913 for Igor Stravinsky’s The Rite of Spring ballet premiere in Paris—one of the most challenging and rewarding ballets ever written.

By examining these works, both uniquely and collectively, Thomas Forrest Kelley, Morton B. Knafel Professor of Music at Harvard will guide you through an explanation of the arts, from key features of classical works and Baroque opera to character development on stage and through music to techniques in orchestral music and choreography. Each course is designed to give you a closer look at each work of art from the cultural context and performance circumstances at the time of premiere—combining passions in art, music, society, and history.

Syllabus

Courses under this program:
Course 1: First Nights - Monteverdi’s L’Orfeo and the Birth of Opera

Learn about Claudio Monteverdi's L'Orfeo , one of the first operas ever written.

Course 2: First Nights - Handel's Messiah and Baroque Oratorio

Discover Handel's Messiah in this installment of First Nights, which will explore five masterpieces of western music.

Course 3: First Nights - Beethoven's 9th Symphony and the 19th Century Orchestra

Learn about Beethoven’s monumental 9th Symphony and forms of orchestral music.

Course 4: First Nights - Berlioz’s Symphonie Fantastique and Program Music in the 19th Century

Learn about Hector Berlioz's Symphonie Fantastique , an iconic Romantic symphony that ushered in an era of narrative "program music."

Course 5: First Nights - Stravinsky’s Rite of Spring: Modernism, Ballet, and Riots

Learn the fascinating history of Igor Stravinsky’s The Rite of Spring , one of the most challenging and rewarding ballets ever written.

Courses

4 reviews
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While Italian opera set the standard in the Baroque era, German composer George Frederic Handel quickly gained popularity for his oratorios, which put operatic techniques to work in the service of sacred music. Handel's Messiah premiered in Dublin on April 13, 1742, and remains popular to this day. Harvard's Thomas Forrest Kelly (Morton B. Knafel Professor of Music) guides learners through Messiah's musical highlights, while detailing Handel's composition process, the preparations and rehearsals, and the premiere performance.

Learners in this module of First Nights need not have any prior musical experience. In this unit, you will learn the basics of musical form and analysis, the genres and styles used in Messiah , the circumstances of its first performance, and its subsequent history.

Additional First Nights Modules:
Monteverdi's L'Orfeo and the Birth of Opera
Handel's Messiah and Baroque Oratorio
Beethoven's "Ninth Symphony"
Berlioz's Symphonie Fantastique and Program Music in the 19th Century
Igor Stravinsky's The Rite of Spring: Modernism, Ballet, and Riots
4 reviews
3 weeks, 3-5 hours a week, 3-5 hours a week
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Ludwig van Beethoven’s 9th Symphony premiered in Vienna in 1824, and continues to be one of the most popular symphonies in the repertoire. The monumental symphony’s size and complexity stretches traditional instrumental forms to the breaking point, and its famous choral finale changed our view of orchestral music forever.

Harvard’s Thomas Forrest Kelly (Morton B. Knafel Professor of Music) guides learners through all four movements of Beethoven’s 9th Symphony, highlighting aspects of symphonic form, describing Beethoven’s composition process, the rehearsals and premiere performance, and the work’s continued relevance today.

You will learn the basics of musical form and analysis, the genres and styles used and the circumstances of this symphony’s first performance and subsequent history. Learners in this course need not have any prior musical experience.

Additional First Nights Modules:
Monteverdi's L'Orfeo and the Birth of Opera
Handel’s Messiah and Baroque Oratorio
Beethoven's "Ninth Symphony"
Berlioz’s Symphonie Fantastique and Program Music in the 19th Century
Igor Stravinsky’s The Rite of Spring: Modernism, Ballet, and Riots

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3 reviews
3 weeks, 3-5 hours a week, 3-5 hours a week
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Claudio Monteverdi's L'Orfeo premiered in Mantua in 1607, and continues to be regarded as one of the most important examples of early opera. With L 'Orfeo , Monteverdi helped to establish the techniques and traditions that continue to inform the genre of opera to this day.

Harvard's Thomas Forrest Kelly (Morton B. Knafel Professor of Music) guides learners through the first half of L'Orfeo , highlighting aspects of operatic form and dramatic technique, the rehearsals and cultural context for the premiere performance, and the work's continued relevance today. There will also be a focus on Monteverdi's life and work as a Renaissance court musician.

In this music course, you will learn the basics of operatic form and analysis, the genres and styles used, and the circumstances of this opera's first performance and subsequent history. Learners in this course need not have any prior musical experience.
2 reviews
3 weeks, 3-5 hours a week, 3-5 hours a week
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Six years after the premiere of Beethoven's monumental Ninth Symphony, composer Hector Berlioz sought to make use of the symphonic genre, but on his own terms. Indeed, he wrote not only a five-movement symphony, but also a narrative program to accompany and explain the symphony.

This music course introduces students to the music and programmatic elements of Berlioz's Symphonie Fantastique , illuminating a new direction for nineteenth-century music. The course's grand finale is a live performance of the entire symphony by the Harvard Radcliffe Orchestra.

Harvard's Thomas Forrest Kelly (Morton B. Knafel Professor of Music) guides learners through Berlioz's Symphony Fantastique, highlighting Berlioz's compostional process, his innovative orchestration, and the reception of his controversial piece of narrative instrumental music.

You will learn the basics of Romantic musical style, Berlioz's creative expansion of the standard orchestra, and the debates surrounding the idea of purely musical narrative in the 19th century.

Additional First Nights Modules:
Monteverdi's L'Orfeo and the Birth of Opera
Handel's Messiah and Baroque Oratorio
Beethoven's "Ninth Symphony"
Berlioz's Symphonie Fantastique and Program Music in the 19th Century
Igor Stravinsky's The Rite of Spring: Modernism, Ballet, and Riots
1 review
3 weeks, 3-5 hours a week, 3-5 hours a week
View details

Igor Stravinsky’s The Rite of Spring premiered in Paris in 1913, sparking a riot and screaming so loud that the dancers could not hear the orchestra, and the choreographer had to shout numbers from backstage to keep the dancers on beat.

The Rite of Spring continues to challenge listeners. According to Stravinsky, The Rite of Spring was intended to portray “the surge of spring, the magnificent upsurge of nature reborn.” As you will see, Stravinsky’s description is almost frighteningly apt!

Harvard’s Thomas Forrest Kelly (Morton B. Knafel Professor of Music) guides learners through The Rite of Spring , highlighting not only the contributions of Stravinsky, the composer, but also those of his collaborators. Professor Kelly takes learners through the ballet’s development, rehearsals, and finally, premiere performance, and he explores just how and why The Rite of Spring challenged (and to a certain extent, continues to challenge) its listeners.

You will learn about the ballet’s innovative choreography, the basics of 20th-century orchestral form and technique, and the circumstances of this ballet’s first performance and subsequent history. Learners in this course need not have any prior musical experience.

Taught by

Thomas Forrest Kelly