HDDSLR Filmmaking

For the first time in history, a camera that costs roughly $2,500 can shoot material good enough to hold its own weight on the highest professional levels. 
Gale Tattersall, renowned Director of Photography, has been at the forefront of pushing HDDSLR's in Hollywood. He shot the season finale of House entirely on a Canon 5DMII last year. In this HDDLSR filmmaking workshop, he teaches the ins and outs of making great films with HDDLSR cameras. 
Note: Neither NBC Universal, Fox Television or any other entity involved in the production of the House M.D. program endorses or is in any way responsible for the content and production of this workshop program.

• Introduction of Gale Tattersall
• Shooting the House Season 6 Finale
• Field Tested 5DMII Camera Settings
• Q & A
• Camera Rigs
• Filming Swing Dancers with the Rigs
• Reviewing Student Footage
• Audience Q & A
• BONUS: The HDDSLR Swing Dance
• Introduction to Lighting
• Demo: 5DMII vs. Video Camera
• Lighting a Daytime Scene
• Lighting Gear
• Lighting a Nighttime Scene
• Constructing a Scene pt 1
• Constructing a Scene pt 2
• Audience Q & A
• ROUGH CUT: Psychiatrist Office at Night
• Sound
• Affordable Lighting Solutions
• Lighting Q&A
• House: Slow Motion Bull Ride
• Workflow Q&A
• Filming an Interrogation Scene part 1
• Filming an Interrogation Scene part 2
• Wrap Up